The mamianqun embodies a significant aesthetic and cultural ideal in the life story of Chinese women, symbolizing the Zen aesthetic principle of "disdain for structure, emphasis on ornamentation, implicit naturalness, and liberation of the body." This notion contrasts with the Western emphasis on the structure and draping of the human form.
The practical aspect of horse skirts also mirrored the evolution of society. As equestrian pursuits diversified, so did the design of the skirts. This adaptability reflects the pragmatic approach of Ming and Qing cultures toward clothing.
The horse skirt's significance in the Ming and Qing dynasties transcended mere functionality. It served as a means of expressing social hierarchy, cultural values, and ethical principles, offering a glimpse into the intricate fabric of historical Chinese society.
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